Exhibitors 2026
Exhibitors 2026
General Program
Exhibitors:
Abbozzo Gallery (Toronto)
ADN Galeria (Barcelona)
ATM (Gijón)
Art Agenda (Jakarta)
AZOTEA (Buenos Aires)
Bacio (Bern)
Batec (Valencia)
BETA Contemporary (Barcelona)
Cry Baby (Toronto)
Dilalica (Barcelona)
ethall (L’Hospitalet de Llobregat)
Escat Gallery (Barcelona / L’Hospitalet de Llobregat)
espace annexe (Biel/Bienne)
EXs (L’Hospitalet de Llobregat)
FOC (Barcelona)
Fundació Úniques & 200CENT(Barcelona)
Galeria Pracownia Wschodnia (Warsaw)
Halfhouse (Barcelona)
Kunstraum Aarau (Aarau)
Les Pralinés (Basel)
Malpais (Barcelona)
Matter (Tokyo)
Northing Space (Bergen)
ONEART Gallery (Beijing) + Letravia (Barcelona)
Palmadotze (Barcelona)
Rocio Santa Cruz (Barcelona)
ShapeeroMurray (Glasgow)
Temporary Address (Dublin)
Tha House (Madrid)
Ventana Project (Madrid / Berlín)
wach Kunstraum (Bremen)
weseeitems (Tbilisi)
Widefield Projects (Geneva)
General
The programme brings together commercial galleries and independent art spaces, creating an ecosystem that combines market activity, experimentation, dialogue, and research. This coexistence places all participants within the same relational framework and reinforces the fair’s commitment to fostering connections between diverse models of artistic production and exhibition.
The independent spaces present non-commercial practices rooted in research, community engagement, and experimentation. Artist collectives, curatorial spaces, foundations, and self-managed initiatives share the platform with commercial galleries, encouraging collaboration, exchange, and mutual learning.
The program brings together commercial galleries and independent spaces, creating an ecosystem that combines market activity, experimentation, conversation, and research. This coexistence places all projects on a shared relational plane and reinforces the fair’s goal of promoting interconnection between diverse models of production and exhibition.
Independent spaces present non-commercial practices rooted in research, community, and experimentation. Artist collectives, curatorial spaces, foundations, and self-managed initiatives share the platform with art galleries, fostering collaboration, exchange, and mutual learning.
Polar & Tropic
Exhibitors:
All all all (Copenhagen)
Campo Adentro (Madrid)
DAM DAM (Amsterdam, Jakarta)
Galleria Huuto (Helsinki)
Gelanggang Olah Rasa X Siasat Air (Bandung)
Hulias (Oslo)
Jatiwangi Art Factory (Majalengka)
La Fundició (L´Hospitalet)
Podium (Oslo)
Small Projects (Manila/ Tromsø)
Tapir Studio (Klang)
Wei Ming Ming (Taipei)
Polar & Tropic
The tropics are imaginary lines drawn across the Earth: invisible thresholds where the sun, at its highest point, seems to pause before reversing its course. Our present seems to inhabit such a threshold: the natural, social, and institutional structures that have sustained a dominant way of producing and relating to one another are now showing their limits, while others begin to emerge and organise from the margins.
The crisis inherent to this transitional state puts the paradigm under strain and intensifies polarisation. In the social realm, the polar implies an inability to inhabit common spaces; in nature, by contrast, it represents a principle of attraction: the tension between poles enables movement, exchange, and the flow of energy.
Within this context, the new edition of Polar and Tropic brings together independent collectives and spaces from the local, Nordic, and Southeast Asian regions that, despite their geographical and sociopolitical distance, articulate networks of collaboration and solidarity.
The programme questions the mechanisms of value that sustain the hegemonic model of contemporary art, in which the object/artwork and the supposed autonomy of the artist operate as forms of accumulation and concentration. The proposals presented shift the emphasis towards the processes and relationships that sustain communities and territories, both within and beyond the circuits of art.
The programme observes how these practices behave when entering an art fair, transforming the system of exchange and the definition of what is considered an object of art. As the market becomes an abstraction for emerging practices and the established system appears to be crumbling, the present moment demands that we imagine and put into practice alternative infrastructures and other ways of producing and relating to one another.
The tropics are imaginary lines drawn across the Earth: invisible thresholds where the sun, at its highest point, seems to pause before reversing its course. Our present seems to inhabit such a threshold: the natural, social, and institutional structures that have sustained a dominant way of producing and relating to one another are now showing their limits, while others begin to emerge and organise from the margins.
The crisis inherent to this transitional state puts the paradigm under strain and intensifies polarisation. In the social realm, the polar implies an inability to inhabit common spaces; in nature, by contrast, it represents a principle of attraction: the tension between poles enables movement, exchange, and the flow of energy.
Within this context, the new edition of Polar and Tropic brings together independent collectives and spaces from the local, Nordic, and Southeast Asian regions that, despite their geographical and sociopolitical distance, articulate networks of collaboration and solidarity.
The programme questions the mechanisms of value that sustain the hegemonic model of contemporary art, in which the object/artwork and the supposed autonomy of the artist operate as forms of accumulation and concentration. The proposals presented shift the emphasis towards the processes and relationships that sustain communities and territories, both within and beyond the circuits of art.
The programme observes how these practices behave when entering an art fair, transforming the system of exchange and the definition of what is considered an object of art. As the market becomes an abstraction for emerging practices and the established system appears to be crumbling, the present moment demands that we imagine and put into practice alternative infrastructures and other ways of producing and relating to one another.
Vortex
Exhibitors:
AFTERpoema (Buenos Aires) + Afterschool (Barcelona)
Ainda (São Paulo) + Digestivo (Madrid)
local.ext ( Madrid) + Segismundo (Guatemala City)
Ona Galeria (La Habana) + Herrera Gallery (Barcelona)
TAT ARA (Barcelona) + Trastienda Machete (Cuidad de Mexico)
PIONERA (Madrid) + casa espacio (Barcelona)
Vortex
Vortex unfolds from the Emerging Latam program, which over recent years has made visible emerging voices from Latin America at Swab. In this new phase, the project expands its reach towards a dialogue between young local projects and those from Latin America, intending to build new bridges between these two territories whose cultural landscapes have mutually shaped each other, sharing a back-and-forth of resonances, influences, and reinventions.
Curated by Lena Solà Nogué, a Catalan curator residing in Mexico who joins the project this year, Vortex proposes a shared occupation model: six spaces at the fair will be cohabited by twelve young galleries, six from each region.
This space becomes a meeting point for artists whose interests and lives circulate between here and Latin America, facilitating the creation of cultural networks that allow sharing of resources, issues, and strategies, contributing to strengthening concrete links between both scenes.
Vortex unfolds from the Emerging Latam program, which over recent years has made visible emerging voices from Latin America at Swab. In this new phase, the project expands its reach towards a dialogue between young local projects and those from Latin America, intending to build new bridges between these two territories whose cultural landscapes have mutually shaped each other, sharing a back-and-forth of resonances, influences, and reinventions.
Curated by Lena Solà Nogué, a Catalan curator residing in Mexico who joins the project this year, Vortex proposes a shared occupation model: six spaces at the fair will be cohabited by twelve young galleries, six from each region.
This space becomes a meeting point for artists whose interests and lives circulate between here and Latin America, facilitating the creation of cultural networks that allow sharing of resources, issues, and strategies, contributing to strengthening concrete links between both scenes.
Off-Site
Exhibitors
CasCaDas Art Space (Barcelona)
Ethereal Maison (London)
outhouse gallery (London)
Suvatne & Eraković (Oslo, Basel)
Off-Site
This new program focuses on independent cultural spaces that emerge through reuse, adaptation, and necessity, transforming unconventional venues into sites for artistic production, exhibition, and gathering. It challenges traditional models of cultural infrastructure and proposes more flexible, responsive, and environmentally conscious approaches.
t responds to growing spatial tensions in urban contexts by prioritizing reuse of existing structures and underutilized spaces, reducing environmental impact while reflecting real social and economic conditions. This approach allows cultural activity to operate in multiple environments, encouraging participation and expanding access beyond established art contexts.
Through reuse and adaptation, independent spaces become laboratories for new cultural models, lighter, more ethical, and closely connected to their communities, suggesting that the future of cultural spaces lies in adaptation and flexibility rather than expansion.
This new program focuses on independent cultural spaces that emerge through reuse, adaptation, and necessity, transforming unconventional venues into sites for artistic production, exhibition, and gathering. It challenges traditional models of cultural infrastructure and proposes more flexible, responsive, and environmentally conscious approaches.
It responds to growing spatial tensions in urban contexts by prioritizing reuse of existing structures and underutilized spaces, reducing environmental impact while reflecting real social and economic conditions. This approach allows cultural activity to operate in multiple environments, encouraging participation and expanding access beyond established art contexts.
Through reuse and adaptation, independent spaces become laboratories for new cultural models, lighter, more ethical, and closely connected to their communities, suggesting that the future of cultural spaces lies in adaptation and flexibility rather than expansion.
My FaF
My FaF
Swab Barcelona continues to strengthen its commitment to newly established spaces through the My First Art Fair (MyFAF) program, supported by the Swab Barcelona Foundation. An essential part of the fair’s identity, MyFAF is the section that brings together and promotes galleries that are less than two years old and are exhibiting at an international fair for the first time. In each edition, three spaces are awarded grants, offering them a unique opportunity to enter the circuit.
The main objective of the Swab Foundation, in launching these grants, is to discover and promote new talent, facilitating the entry of innovative projects into the dynamic sphere of international art fairs. This initiative reinforces Swab’s mission to serve as a melting pot of new ideas and trends while also highlighting its role as a launch platform for emerging artistic voices.
Swab Barcelona continues to strengthen its commitment to newly established spaces through the My First Art Fair (MyFAF) program, supported by the Swab Barcelona Foundation. An essential part of the fair’s identity, MyFAF is the section that brings together and promotes galleries that are less than two years old and are exhibiting at an international fair for the first time. In each edition, three spaces are awarded grants, offering them a unique opportunity to enter the circuit.
The main objective of the Swab Foundation, in launching these grants, is to discover and promote new talent, facilitating the entry of innovative projects into the dynamic sphere of international art fairs. This initiative reinforces Swab’s mission to serve as a melting pot of new ideas and trends while also highlighting its role as a launch platform for emerging artistic voices.